Tulips & Tractors 3-D

Finished my tulip watercolor.  Added a John Deere.

You can’t tell real well in this photo, but it is a 3-D relief using foam board for each row of tulips and the tractor.

Final

Tulips & Tractors

2016, 22″ x 22″ x 1″

$ 1,000 (purchase through my Etsy Shop)

Nearly finished with a new painting.  It started out something completely different than what it is now.  The field of tulips was incredibly boring, so I decided to add a tractor.  In order to add a tractor I had to cut the painting apart.  When I started cutting it apart, I decided it needed to be 3-D.  Here’s the progress.

Tulips & Tractors Progress 1

Tulips & Tractors Progress 1 Detail

Tulips & Tractors Progress 2

Tulips & Tractors Progress 3

Tulips & Tractors Progress 3 Detail

Tulips & Tractors Progress 4 More

Tulips & Tractors Progress 4

 

Quote about how to think about art

I’m in an art history, theory and critique graduate program.  Dr. Daniel Siedell had this to say about our 20th Century art course.  It’s a wonderful quote about how we look and feel about art, especially modern art.

“We begin our exploration of 20th century art, criticism, and theory with a turn inward and a turn away—a turn inward toward the artist’s (and viewer’s) conscious and unconscious emotional states and drives and a turn away from traditional roles of art as representation of the merely visible world toward explorations of emotion and the basic formal elements of line, form, and color that make a work of art a work of art. We’ll discover that these are much more than developments in form and content but strike at the heart of what art (and human creativity and consciousness) is and its role in a modern world transformed by Einstein and Freud, physics and psychoanalysis, complexity of the cosmos and the complexity of the self. ” ~ Dr. Daniel Siedell, June 27, 2016

Bridge Program

For the past three months I’ve been working in a program with other professional artists to create a new body of work.  We’d meet once a week at the Autobody Fine Art studio in Alameda, California.  My goal was to complete a new painting each week in a more loose, more alla prima style.  I didn’t quite finish one painting each week, but I finished one every two weeks, which for me was successful.  It was an exercise to just get started in front of the blank canvas and just ending … knowing when it was time to just move on.  It was inspiring to work with four other artists; all very talented; all very different. We had critique and instruction and opinion.   It was an exercise in painting in “public” and hearing criticism of my work… some helpful, some just commentary, but all good training.  Here are some of the pieces.

Final_Painting_Young&Old_2015_smaller

Old and Young, acrylic, 36 in x 48 in

Final_Painting_Jimmy_2015_small

Jimmy, acrylic, 36 in x 48 in

Final_Painting_Marcy_2015_Small

Marcy, acrylic, 36 in x 48 in

Final_Painting_Connie_2015

Re-do of “Connie”, acrylic, 36 in x 48 in